"[...] The Auryn Quartet have been working with TACET for years now. And those of you who are in the know will appreciate what that means:... the challenges for a quartet formation from playing Beethoven’s works mean picking up the tensions in the score and hanging on to them. The Auryn Quartet is not only equal to this task: they really seem to gain strength and fun from this field of tension. To be able to play at this level, the musicians constantly have to redefine the boundaries between respect for the other players and healthy self-interest. Playing in a quartet seems to have become a life elixir for the four Auryns: for twenty-three years now they have been rising to greater and greater heights. With the Quartets op. 18 by Beethoven they have definitely reached a peak. We await eagerly the promised continuation of their complete collection of Beethoven’s Quartets." (WDR Hörzeichen) There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

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“With their expressive timbre and the technical excellence of the recording, the Auryn Quartet need not fear the competition, even though there is already a multitude of recordings in existence.” (Hartmut Lück, Klassik-heute) There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

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"The incubation period is a mere thirty seconds: that is how long the symphonic first spark takes to ignite, with the four musicians dragging the child empress out of silence at the beginning of the first Razumovsky Quartet and again and again projecting their Auryn sparkle into us. And once again we are hooked." (Wiesbadener Anzeiger) There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

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“With their expressive timbre and the technical excellence of the recording, the Auryn Quartet need not fear the competition, even though there is already a multitude of recordings in existence.” (Hartmut Lück, Klassik-heute) There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

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"The Stuttgart Chamber Orchestra is a prime example of an ensemble which no longer pays any attention to the separation of historical and modern instruments or historic and modern styles: here the things which belong together have come together, so that music performance can be filled with emotion and expression.[...]" (Klassik heute)

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The Welte-Mignon-Mystery Vol. II Felix Motti today playing his 1907 interpretations

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